Well I look at the world, and I see what I see
And the world looks at me and it sees what it sees
You can hear me cry, you can hear me sigh
What a wonderful life, what a wonderful sight
What a wonderful life, what a wonderful sight
When I’m looking at the world, when I’m looking at the world
All the ants and the bees and the birds in the breeze
And the seeds in the trees, all the fish in the sea
They all see what we see, they all are what we are
What a wonderful life, what a wonderful sight
What a wonderful life, what a wonderful sight
When we’re looking at the world, when we're looking at the world
When we're looking at the world, when we're looking at the world
When we’re looking at the world, when we're looking at the world
When we're looking at the world, when we're looking at the world
When we're looking, when we're looking
When we're looking, when we're looking
When we're looking, when we're looking
When we're looking, when we're looking
…
At the world
In the cold city streets in the alley dark and deep
By the river on the key there are people you and me
Who see sights that you see
Who live lives that you lead
What a wonderful life, what a wonderful sight
What a wonderful life, what a wonderful sight
What a wonderful life, what a wonderful sight
What a wonderful life, what a wonderful sight
When we’re looking at the world, when we're looking at the world
When we're looking at the world, when we're looking at the world
When we’re looking at the world, when we're looking at the world
When we're looking at the world, when we're looking at the world
When we're looking, when we're looking
When we're looking, when we're looking
When we're looking, when we're looking
When we're looking, when we're looking
All the ants and the bees and the birds in the breeze
And the fish in the sea, all the seeds in the trees
They all see what we see, they all are what we are
What a wonderful life, what a wonderful sight
What a wonderful life, what a wonderful sight
G.T. Moore is a singer, composer and instrumentalist with a recording career that stretches back to the early seventies. His
band the “Reggae Guitars” were the first white group to seriously attempt an authentic reggae sound. Not only proving himself in the reggae scene but also with bands / artists like Heron, Shusha, and as a session musician for Lee 'Scratch' Perry, Johnny Nash, Poly Styrene.....more